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Barn #3 |
Third time is seeming like the charm for my barn paintings. I painted from the same location but used a slightly different view, and this one finished up in one two-hour session, plus ten minutes the next day to tweak a couple things to strengthen the composition. I started out with a plan to just paint in the major blocks of color first, thinking that would be my underpainting that would set the mood and tone of the painting—but it ended up
being the painting. There's a lot less detail, but plenty of texture, and the feeling is fresh, spontaneous, and alive. Nothing over-thought or over-worked. The cold press surface of the unprimed paper really contributes a lot of texture.
The first day, there was more lighter-colored foliage in the firs, and the background brush in the left center was lighter, with no texture. The second day I made all the fir branches uniformly dark, and that balanced the mass of the barn better. I also added some darker tones and a bit of texture to the brush, and that unified the shapes more.
I'm still doing cloud sketches. They really are a great way to just unwind. All the ones so far have been looking just north of due East, toward Mt. Hood and the Gorge.
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Clouds #2 |
This was a bit later, getting towards evening, when more colors were appearing in the clouds.
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Clouds #3 |
This was a bit earlier in the afternoon. It's a really common configuration when we have moist air coming up from the South, and rain clouds build up over the Cascades.
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