A wonderful summer evening

I wanted to share this picture I took Saturday evening at the paintout at Villa Catalana Cellars. There was lovely live acoustic guitar music by great musicians, a colorful sunset with drifting clouds and a light breeze, and lots of happy people enjoying the food, wine, art, and wonderful weather.

If you're an artist interested in participating, contact Burl & Cindy Mostel at Villa Catalana Cellars.

PS. I made some progress on my painting but forgot to take any red, so I just worked on the foliage. Next time!

Paintout time again!

It's the annual Art In The Garden party at Villa Catalana Cellars in Oregon City this evening, and I can't believe the weather is this cool! Tickets are still available at their events webpage. Lots of food, wine, artists, and art! I'll be there working on a new painting and bringing along several of my previous paintings of their beautiful gardens and winery.

I'll be trying to turn this value sketch into a real painting:

Maybe I'll remember to bring the right colors this year!

Playing with color as energy

Floral #9

My goal as I began this floral was a painting that was as much an explosion as a floral. I'm not sure I achieved explosion, but I think I at least got to "Pop!" with this one. If the colors look familiar, they should, because I'm still working the same palette sheet as I have been for the last couple weeks. I just hate throwing away paint until it's unusable. I keep a plastic cover over my palette and spritz it every morning, and once more at night if I don't do any painting that day. I do end up with small puddles, but those pull off easily with a brush, and I usually want my paint slightly wet anyway.

On this one, I wanted to work from dark to light so I didn't have to end up painting dark spaces around my flowers, and I wanted to paint as loosely as I could possibly make myself. But more than anything else, I wanted to COMPLETELY PAINT OVER Floral #1, "Blue and Orange", as I stopped liking it several months ago and took it off my Etsy site, but hated to waste a good panel. You may recognize the vase, slightly updated. One of Robert Burridge's sayings, "Don't worry about painting things that don't make sense," played in my mind several times whenever I hesitated while painting. As long as the blobs looked like they were supposed to be flowers, that was going to be good enough for me.

The background is just layered scribbling, and only one of the flowers got any detail at all, the rest are just shaded to suggest petal shapes and three-dimensionality. About halfway into it, I discovered I was making lost edges around the bouquet by going back and forth between the flowers and the background scribble-glazing, and I liked that. I had discovered on a previous unpublishable sketch that if you decide your foreground subject shape isn't quite balanced—or too balanced—you can offset that with your background shapes and colors. I had fun making the bouquet look bigger with blurry colors around the outside, extending the color range and adding more color energy to the painting. It also transitions from the semi-defined flower shapes to the completely ambiguous background. It's sort of like a halo or aura of light around the subject. A bit romantic, but fun.

ANNOUNCEMENT! I'll be at the Local Author Fair tomorrow from Noon till 3PM at the Oregon City Library, signing copies of my first book, "First Aid For Your Menopause Emotions". Thirty-five other local authors will be there with me. Come on down!

UPDATE: I've finally created a facebook page for this book, where I'll be blogging about menopause and anything related to it, including living a best-possible post-menopausal life. You can find it HERE.

Painting Other People's Gardens

I had the great good fortune to paint the beautiful garden of a friend of mine last fall. Her garden has a fantastic collection of conifers, both dwarf and standard sized, well-established perennials, and Japanese maples. I loved it! Of course I wanted to paint it! (I wanted to own it!) My second visit I spent half an hour just hanging out in it, taking lots of photos from different directions, with close-ups of the smaller plants. From those my friend chose her favorite view. My first effort was to make a sketch to test the color range and the overall design:

Study for Jayne's Garden
Acrylic on Paper

I felt like the overall design and the red-violets and blue-greens worked well together so I went forward with the painting. This was the first time I'd ever done a full color study as preparation, but it really made a difference to have it while I was working on it. It was much easier for me to visualize being in the real garden and remember how the plants stood in relation to each other. In the end, I still struggled for some time to capture the different textures and the rich color palette of the many different plants. Since my friend and her husband own a nursery—the wonderful Meadowcroft Farm in Oregon City—I felt duty-bound to render the foliage at least semi-recognizeably. After a couple weeks of concerted reworking, I eventually arrived at a final version:

Jayne's Garden
Acrylic on Canvas 18x24 SOLD

The painting went to its new home and I have a great experience and wonderful memories, forever. How lucky I am to have friends with such beautiful gardens.